Review in Decibel Tolls

Strangers Family Band offers a fine pastiche of the various splinter genres of flower power much like The Brian Jonestown Massacre’s finer catalog (czech “Wooden Hands” and hear how the vocal interplay is almost dead-on Anton Newcombe and Mara Kegal via Their Satanic Majesties’ Second Request). However, also like the BJM, Strangers Family Band do not amalgamate old sounds with new. They are unquestionably channeling the various strata of late ’60s mindbending west coast pop art experimental jangle – light garage rock timbre, pinch of British blues a la John Mayall, and homage to Ravi Shankar that became nothing but en vogue in the post-druggy Beatles summer of love. With that said, they take full advantage of recording technology today to really sharpen the feel and sound of classic true-blue psychedelia to cultivate a truly polyphonic headtrip. Nowhere is that more apparent than the seven minute “Transmission,” bolstered by crisp Twin Reverb distortion, lots of sitar (real sitar, not effect-created), and dark, thick Rhodes organ, punchy tablas – all of which almost play second fiddle to the distant, dark, saturated vocals.

I understand that, as either Kickergaard or Dick Van Patten said, to label me is to negate me. So I’ll stop the labeling and comparisons and let you all just peep the group. However, and this is the last thing I’ll say about Strangers vs. Jonestown – they also adopted the excellent “give your shit away from free and worry about sustainability later” model that Anton discovered when he started digging on the Interwebs. And it’s a great idea. Get your stuff out there, and if it’s good (which it is), people will come to the show and buy your merch. So to that end, czech the MySpazz, have a look at their dates, and see them live. Admire their sitar. Get lifted.



http://thedecibeltolls.com/strangers-family-band-frees-your-dome-with-free-music/